Choreography and Direction by Giulia Roversi
Music by Filippo Angeloni
Performed by Giulia Roversi and Filippo Angeloni.
Enlight(en)-Me focuses on how the image of the female body is seen and modified by the mass-media society and on the concept of beauty related to it, together with the way in which it is presented and shaped by the screens we look at in our lives.
The standards of beauty and 'perfection' keep on changing in relation to the trends and fashion of the moment, by bringing with them dynamics and problems that arise between the reality and the image proposed/imposed by society.
Main: Teatro Libero (Palermo, ITA), 2023; Hangar Teatri (Trieste, ITA), 2023; DanceHaus (Mila, ITA), 2024.
Choreography and Direction by Giulia Roversi
Music by Filippo Angeloni
Performed by Giulia Roversi and Natia Bunturi.
A line divides the stage.
A light switches on and off while a woman wears a plastic dress; the sound echoes in the emptiness of the surrounding space. Ready to go out she wears plastic gloves and smokes a cigarette while holding a fan electric air cooler.
Festival Direzioni Altre (Tuscania, ITA), 2023; Festival Tranzit (Rijeka, Croatia), 2023; Narodowy Instytut Muzyki i Tańca (National Institute of Music and Dance), (Warsaw, Poland), 2024.
Choreography and direction by Giulia Roversi
Performed by Natia Bunturi
A woman enters on stage dressed in plastic. Plastic she wears, plastic she becomes.
The performance develops from a social and environmental study and it aims to reflect on the unconscious passivity we show everyday with respect to the outside, in terms of environment preservation and human relationships. Plastic is a metaphor of detachment, a skin that people use to wear, becoming unnatural and objectified by necessity, or as the result of a depersonalisation inside a no-more-real environment.
Festival Tranzit (Rijeka, Croatia), 2023; Narodowy Instytut Muzyki i Tańca (National Institute of Music and Dance), (Warsaw, Poland), 2024.
Choreography and direction by Giulia Roversi
Performed by Beatrice Ferrari, Marco Residori, Giulia Roversi, Alice Zanoni.
First phase of study in which, starting from an individual approach, the creative process expanded to a group, introducing the use of voice and focusing on the concept of plurality and unity.
The research was conducted in a white box (a completely white space with a cyclorama) to enhance the sense of optical alteration and create a perspective play through the projection of the choreography in space.
Choreography and direction by Giulia Roversi and Alice Zanoni
Music by Filippo Angeloni
Performed by Alice Zanoni, Giulia Roversi and Filippo Angeloni
The meaning of the word aesthetic relates to the doctrine of the sensitive and sensorial knowledge of the world that can be perceived through senses.
A double-bass is played in the centre of the stage while two women communicate between them following each other, caressing and dragging their bodies inside the space.
Aesthetik narrates the relation between two bodies in movement and the sound of the instrument. Three are the sensorial stimuli: tactile, visual and haptic, within a dialogue where the sight is abandoned to the sound and where the sound alludes to the haptic.
Teatro Romano (Verona, ITA), 2023; Spazio studio Sant’Orsola (Mantova, ITA), 2023.
Choreography and Direction by Giulia Roversi
Music by Filippo Angeloni
Performed by Alice Zanoni, Giulia Tomelleri, Giorgia Olivieri, Filippo Angeloni and Giulia Roversi.
Inspired by Virginia Woolf’s novel Mrs Dalloway, this dance theatre performance speaks about four women preparing the table for the evening.
It is a journey within the female world in the cyclical process of blooming and sprouting and re-blooming and re-sprouting again.
Teatro Camploy, (Verona, ITA), 2023.
Choreography and direction by Giulia Roversi
Performed by Belén Bouzas
Maybe I’ll go; maybe not.
Maybe I Go Party is a contemporary dance theater performance that delves into the complex emotional and psychological landscape triggered by the indecision of whether to go out to a party or stay in. The piece explores the tension between social expectation and personal boundaries, where the performer navigates a series of physical and emotional shifts, embodying the internal tug-of-war that arises from conflicting desires: the need for connection and the pull of solitude. As the performer contemplates the decision, the space transforms—blurring the lines between the comfort of home and the chaos of the outside world—illustrating the discomfort and anxiety that accompany indecision. Through movement, sound, and visual elements, the performance reflects the subtle, often unnoticed forces that shape our social behavior, confronting themes of identity, societal pressure, and the emotional weight of choices.
Teatro Satiro OFF (Verona, ITA), 2023.
Choreography and Direction by Giulia Roversi.
Music by Aníbal Caño González.
Performed by Belén Bouzas, Chiara Duccini, Angelina Gorgaeva, Benedetta Leso, Andrea Louca, Igea Noioso, Gaia Tundo, Mandy Tan Jia Hui.
It's the late 60s. Imagine psychedelic wallpaper sheltering colourful plastic furniture. Whilst the TV is on, eight young women start a frenzy makeover of their living room.
The Place (London, UK), 2022.
Choreography and direction by Giulia Roversi.
Performed by Lorenza Colandrea, Benedetta Leso, Rut Nache López, Igea Noioso, Elisa Stebel, Alessia Tomassi and Giulia Roversi.
Music by Aníbal Caño González.
We build windmills
To trap the Wind
In the utopia that
Time keeps silent.
The story is set in the south of France in the late 1940's, and it narrates about the inhabitants of a little village who are working on the construction of a windmill. They want to trap the wind to prevent it from travelling and revealing their secrets outside the village. The apparent calm is overturned by the arrival of a girl, who has left her birthplace in search of a new life. She arrives in the afternoon, the moment where the story begins and she leaves at dawn, when the story ends.
Trinity Laban Theatre (London, UK), 2022.
Choreography and Direction by Giulia Roversi.
Performed by the Boris Eifman Academy’s dancers.
Society is defined as the totality of social relationships among organised groups of human beings.
The performance investigates the contrast between individualism and collectivism, by focusing on the emotions and contracts that each single person has with the outside and with other human beings.
Dance Academy Theatre (Saint-Petersburg, Russia), 2021.
Sevastopol Academic Russian Drama Theatre (Sevastopol, Crimea), 2021.
Choreography and Direction by Giulia Roversi.
Performed by Thomas Signorelli, Michele Barile, Matteo Marchesi, Daniele Cauduro, Federica Scaramella, Manuela Audibert, Giulia Roversi.
The King and his Castle is a dance theatre performance that creates in motion architectures with bodies and voices.
Every voice is a character, every character has a body.
Every body is a castle.
Teatro Romano (Verona, ITA), 2017.
Promise, i won't stay silent